Saturday, June 28, 2014

Concert Review – Keith Urban's #LightTheFuseTour 2014





Who: Keith Urban
What: Light The Fuse Tour 2014
Where: Allphones Arena, Sydney
When: Sunday 22 June 2014

Right off the top, it must be said that, when it comes to musicians with serious guitar chops, Keith Urban is in the upper reaches of the upper echelon, comfortable there alongside luminaries like John Mayer, Tom Morello, Coldplay’s Jonny Buckland and fellow country star Brad Paisley. It’s simply mesmerising what he can do with an axe – or, in Urban’s case, a serious of them – and every little trick up his sleeve seemed to be on display Sunday night.

It is perhaps lost in the midst of his incredible guitar playing that Urban is also a very accomplished song-writer, with a string of hit tunes to his name. In Nashville these days, the current trend is going away from writing your own music. Even those who had made a living writing their own material – Kenny Chesney, I’m looking at you – are now taking advantage of the incredible pool of song-writing talent on offer in Music City USA.

Not so, Keith Urban, whose fingerprints are all over most of what was played on stage Saturday and Sunday night. Given that the name of the tour borrows from the name of his most recent album Fuse, the majority of the two hours’ worth of set list – particularly the first half – was stacked with songs from that new release, including the excellent “Love’s Poster Child” and “Even The Stars Fall 4 U” that, admittedly, sound more like mainstream rock than real country, but are great, catchy songs, with awesome guitar solos built in.

On stage midway through the set was North Queensland girl Brooke Schubert. She was discovered by a Townsville radio station, who passed on their knowledge to Urban during a recent interview. So what does Keith do? He jumps on YouTube, likes what he sees, and now Schubert, blessed with a strong, soaring voice, is a part of this Australian tour, singing Texan Miranda Lambert’s parts on “We Were Us”, the up-tempo reminisce about life and love as youngsters, with that distinctive electric banjo opening, and the whimsical recollections of life in a small town that went #1 in America.

Of all the songs on Fuse, Urban’s first duet with Lambert, a country superstar in her own right, is probably my favourite. Despite it going #1 on the US Country Billboard Charts, the anthem of glorious yesteryear didn’t really have a permanent home on the American leg of the tour, but thanks to Schubert’s emergence, it’s found one here in Australia. It’s not a stretch to say Schubert, who is clearly going to be a star, does as much justice to the parts sung in the studio by Lambert. In the live arena, it’s a powerful song, anthemic and catchy, the sort of music you can’t help but want to tap your feet to. There’s the expected solo from Urban, too, but it’s far from formulaic.

Whilst most of Urban’s best-performing tracks are catchy up-tempo numbers, he’s written a stack of good ballads, too. I’ll come out and say it here: I prefer Urban at his rocking best, but you can’t help but be impressed by soaring vocals combined with epic guitar solos – particularly on my favourite KU song “You Gonna Fly” and the 2002 hit “Somebody Like You”.

Urban’s work on the acoustic guitar for two songs after the encore was pretty special, too. His voice holds up remarkably well without the backing of the band, and the sound mix in Allphones Arena was dead on. Even when he was singing from a tiny B-stage in the middle of the crowd, where he performed a revved-up version of the rollicking Golden Road hit “You Look Good In My Shirt”.

Sunday night’s show was a reminder of how many good songs Urban has up his sleeve in that he had to leave some great ones out – “Jeans On” and “Where The Blacktop Ends” spring immediately to mind.

As good as Keith is – and, you know, he’s very good – on guitar, I never once got the feeling that he’s showing off or being arrogant or anything like that. In fact, he’s incredibly humble, like a guy you know next door, who’s made it big and is clearly having the time of his life, night after night. With the reception from the Sydney crowd, it’s not a stretch to imagine that every show is better than the one before.

Urban’s quirky sense of humour was on display on Sunday, making Newcastle and Goulburn jokes, thanking people who’d come a long way to the show (including those who’d travelled from Parramatta) and especially when he saw a sign in the audience from a kid purporting to be 16 and have never kissed a girl (a subtle nod to the song “Kiss A Girl”, which he performed later) and invited the unfortunate guy onto the stage. Hilarity ensued, but was all in good fun. There was plenty of fun all night.

Not since watching Train at the Sydney Opera House in 2012 have I left a show with such a happy feeling. Keith Urban, you star!

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