Director: Russell Crowe
Release Date: December 26, 2014
Starring: Russell Crowe, Olga Kurylenko, Jai Courtney & Jacqueline McKenzie
In A Few Words: A father, having lost his three sons during the Gallipoli campaign, and then his wife in the years thereafter, journeys to Turkey to find where his sons are buried and bring them home to lay alongside their mother.
Release Date: December 26, 2014
Starring: Russell Crowe, Olga Kurylenko, Jai Courtney & Jacqueline McKenzie
In A Few Words: A father, having lost his three sons during the Gallipoli campaign, and then his wife in the years thereafter, journeys to Turkey to find where his sons are buried and bring them home to lay alongside their mother.
Spoilers Ahead
Oscar winner Russell
Crowe’s directorial debut is a sterling one, and his time behind the camera
doesn’t take away from his work in front of it. He’s brilliant as Joshua
Conner, a farmer from north-western Victoria, a man who can pretty much conjure
up water from even the driest ground, and who suffers the loss of his three
sons, Edward, Henry and Arthur, during the brutal Gallipoli campaign, and then
his wife soon after when she commits suicide, unable to deal with the grief of
losing her three sons.
With not much else
to live for, Conner travels to Turkey, meets a Turkish widow (Kurylenko) and
her son in Istanbul, before managing to find his way to the Gallipoli
battlefield. There the Imperial War Graves unit are working with members of the
Turkish army to identify the thousands of Australian dead, and in a sobering
moment, we are reminded that the Turks lost more than 70,000 men defending
their homeland.
Interspersed with
battle scenes and flashbacks to Conner’s three children when they were much
younger, including a particularly well-done scene in a giant dust storm in the
Australian countryside, Conner and the military detachment comb the battlefield
and find the final resting places of Edward and Henry – one was found to have
been shot through the head, execution-style, by the Turkish commanders, which
sends Conner into a rage – but Arthur is nowhere to be found.
It’s later revealed
that Arthur had been taken prisoner, the information coming from a Turkish
major (played excellently by (Yılmaz
Erdoğan) who is a part of his country’s fight against
invading Greek troops, and Conner is mixed up in a skirmish between Turks and
Greeks as he travels to the site of where his son was moved after the Gallipoli
campaign.
Not based on any
particular real event, though certainly highlighting the harsh realities of the
post-war days in both Australia and Turkey – and the effect the fighting had on
everyone from soldiers to family members at home – the film has a few plot
holes, and a somewhat predictable ending, but you tend to focus less on that
because the story is gripping, and the action scenes are so well put together.
The film succeeds
because it shows a different side to the Gallipoli campaign than television
shows and earlier films have done. We seem to think little about the aftermath
of the nine-month campaign, or, at least, our focus switches to the Western
Front. The difference to other productions on the same subject, as well as a
moving story and great production values, sets The Water Diviner apart.
It’s hard not to be
moved by Crowe’s performance. There’s genuine feeling in every scene, and you
get the sense that this movie, more than any other, has been a particular
labour of love for him. The way he humanises the Turkish army – they were
fighting to stop us invading them, after all – earned the movie rave reviews in
Turkey and Australia.
Directed by Russel Crowe. So he casted himself as the heroic lead. How about that.
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