SPOILERS AHEAD
It’s rare that a novelisation from the script of a movie
– an early script, too, given the appearance of a half-dozen scenes that didn’t
make the final cut of the Steven Spielberg-helmed epic – comes even remotely close
to being as good as the film, but Max Allan Collins’ treatment of the Robert
Rodat script is brilliant.
Like the movie, Saving Private Ryan begins with a
modern-day prologue (later revealed to be the surviving James Ryan in a Normandy
graveyard) and switches to the bloodbath that was the D-Day landings on Omaha Beach,
June 6, 1944. Collins’ depiction of the carnage springs off the page like
Bernard Cornwell’s battle scenes in the Sharpe novels. It’s gripping, bloody,
obviously very well researched, and very hard to put down.
After the Omaha beachhead is secured, Captain Miller and
a squad of mostly-inexperienced men from the 2nd Ranger Battalion,
are sent inland to find Private James Ryan, a member of the 10st airborne division,
and bring him back to the coast. Miller’s men are working under orders from
George Marshall, chief of staff of the US Army, because three of Ryan’s
brothers have been killed – one on Omaha Beach, another on Utah Beach and one
in the Pacific – and the Army, conscious of a PR nightmare, want to get the
sole surviving brother out of harm’s way, and back to his family in Iowa.
The good thing about novels is that they can flesh out
characters far more than movies can or do, so we learn plenty about Captain Miller,
Sergeant Horvath, Privates Jackson, Mellish, Caparzo and Reiben, the medic,
Wade, and translator Upham. The narrative is far more brutal than in the movie,
with lots more swearing, and some great humorous scenes involving the wise-ass
Reiben. Impressively, all of the characters get their moment to shine, and Collins
takes the reader inside the heads of the squad, men who are struggling with the
idea of their mission: potentially sacrificing eight or nine men to save one.
Although the circumstances of the mission are made up,
the script and novel obviously drew some inspiration from the Niland brothers,
four men from Towanda, New York, who fought in the Second World War. At the end
of hostilities, it was initially thought that just one brother survived, but a
second was found alive in a POW camp in Burma.
Captain Miller’s squad finds Private Ryan with a group of
other paratroopers from the 101st Airborne Division, and Ryan
refuses to leave, at least not until he has fought with his comrades at
Ramelle, a fictional battle inland from Normandy, but certainly one based on
real events, with lightly-armed paratroopers scrambling to stop German armour
from rolling over bridges and pushing towards the invasion zone. Like the
opening scenes on Omaha Beach, the climactic battle literally jumps off the page
at you.
My Verdict: Yes,
Collins had a good script to work from, but it’s not always a guarantee that a
good script makes a good novelisation. The author still has a lot of work to
do, and Collins does it brilliantly here. It’ll make you want to pull out the
DVD and revisit the film, too. Five stars out of five.
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