Aside from a few movie novelisations (do they count,
really?), Trigger Mortis is the first
James Bond novel that I’ve read. Picking up directly after Bond has dealt with Goldfinger, the opening chapters of the book deal with 007’s relationship
with Pussy Galore, the lesbian gangster who featured prominently in Goldfinger. It turns out that she
followed Bond back to London and they two are living together, not quite in
marital bliss, despite objections from M and others at the Secret Service.
Despite Trigger Mortis being released just a week ago, this
is Bond at his 1950s best, though Bond confronts things like lung cancer, has a
conversation with a good friend who is an unashamed homosexual, and, of course,
displays his unending hatred for the Russians. On this occasion, SMERSH are
working with a Korean to try and get ahead in the all-important space race.
What interested me was the fact that an early section of the
book was actually attributed to Ian Fleming, the man who created 007 (and would
probably be amazed if he were alive to see the longevity of the womanising
British secret agent, both in film, book and gaming) and had written, for a TV
show that never got off the ground, a few hundred words about Bond in a car
race in Germany.
From that snippet of plot detail came the rest of Trigger Mortis, and Horowitz, whom I
didn’t know existed until I saw a newspaper article about this book, has done a
good job staying true to Fleming’s bond. 007 is in fine form here, following
the trail from the legendary Nürburgring circuit, where he stops a Russian
attempt on the life of a champion British race car driver, through to the
United States, and specifically in the subway network beneath New York City, where
the final confrontation between Bond and the bad guy takes place.
The Korean mastermind, Sin, is a typical sadistic villain,
up there with the best of them that Bond films and movies have ever produced.
The Russians, of course, are floating around in the background, always looking
for a way to undermine British and American interests. Other than Pussy Galore,
there are other love interests for Bond – including the brilliantly named American
agent Jeopardy Lane – and more than enough plot-twists, great gadgets and close
escapes to keep me turning the pages.
In fact, Trigger Mortis wasn't an easy book to put down. The
action and plot flowed nicely, and one never overpowered the other. The ending
was gripping, and the entire scheme of Sin’s, working with the Russians, was
more nuanced and layered than I’d been expecting.
Based on the reviews I’ve read, Trigger Mortis has been very well received by a lot of people, so hopefully Horowitz gets another chance to write a Bond adventure.
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