The somewhat reluctant British hero Simon Fonthill returns
to action for the second time, with his faithful Welsh sidekick 352 Jenkins –
so known because of the sheer volume of men named Jenkins in his parent
regiment – never far behind.
In some ways, the comparison between Wilcox’s Fonthill and
Bernard Cornwell’s Sharpe is justified, given that the two men are obviously
larger-than-life fictionalised heroes, fighting in real campaigns, and
interacting with real people in the process, and the two characters certainly
don’t mind butting heads with superior officers in their own army (and seem to
enjoy it as much as fighting the enemy) but Sharpe seems to enjoy life in the
Army, such as it is, whilst Fonthill does not. Nor does his constant companion,
352 Jenkins.
In fact, the two are looking to be done with the British
Army in the aftermath of the last victory in the Zulu Wars – Fonthill has
already resigned his commission and has bought Jenkins out – but are
blackmailed by an intelligence officer to travel to another hotspot for the
vast British empire: Afghanistan, where the British are about as popular as
they are amongst the Zulu hordes in South Africa.
Wilcox does a wonderful job of painting the picture of the
times, militarily and politically, and his portrait of Afghanistan is one of
lawlessness, with most of the country roused to fight against the British, who
are having a tough time of it in the rugged landscape. Typically, Fonthill and
352 Jenkins (alongside a wonderfully eccentric Sikh guide who is a cricket
fanatic and likes to be called W.G. Grace, one of Wilcox’s best creations) find
themselves right in the middle of the action, working to gather intelligence
for the British thrust towards Kandahar, and are captured in the process.
Not for the first time, Fonthill takes one for the team, and
his torture at the hands of violent Afghani tribesmen (and women!) certainly
made me squirm. I won’t elaborate, except to say that I’m glad it was Fonthill
and not me. Even after putting his own life on the line to get the intelligence
the British commanders need for their campaign, Fonthill is disbelieved by most
of the upper echelon of officers, who regard him as unorthodox and insolent,
and, because of his unorthodox nature, not to be trusted. In the end, though
As much as the battle scenes spring off the page – just like
Cornwell’s do – it’s the personal conflict that makes these Fonthill stories so
good. Fonthill’s enemy, Lieutenant Colonel Ralph Covington makes a return, as
does the intrepid female reporter Alice Griffith, and she’s still hell-bent on
becoming a famous journalist, not caring which officers she upsets in the Army.
There’s nothing ground-breaking in these Fonthill
adventures, but they’re enjoyable and easy to read, and have certainly opened
my eyes as far as knowledge about the smaller conflicts the British were
involved in during the last two decades of the 1880s.
There’s a definite formulaic approach to these novels – not
that that’s necessarily a bad thing, it just means that, no matter what scrape
Fonthill finds himself in, you know he’s going to somehow emerge more or less
unscathed.
It means that Fonthill and 352 Jenkins will be back out on
the campaign trail somewhere soon. Can’t wait to read the
next installment!
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