The very first pages of The Scarlet Thief find the main
character, Jack Lark, fighting for his life amidst the bloodshed of the Battle
of Alma, the first engagement of the Crimean War, and the redcoats are not
doing so well, flayed by musketry and artillery as they struggle across the
River of Alma.
Suddenly, we’re heading back in time, and back to pre-war
England, where Jack Lark is yet another who has joined the British Army –
“taken the queen’s shilling” – to escape other hardships in life, and he joins
a company that is ruled by a brutal and unjust non-commissioned officer, Colour
Sergeant Slater. Lark finds a modicum of protection from Captain Sloames, who
had earlier selected Lark to be his orderly.
Sloames had dreams of glorious battlefields, and when he
gets word that the regiment is being shipped to the disease-ridden West Indies,
he purchases a commission in a different unit, the Kings Royal Fusiliers, one
more likely to be deployed to the Crimean Peninsula, where war between an
Allied army of French, Turkish and British will face Russia’s mammoth conscript
armies.
For whatever reason, Lark has attracted the enmity of
Slater, who decides to help himself to Lark’s girl, Molly, who is a local
worker where the regiment is billeted. Lark stumbles upon the sergeant trying
to have his way with the girl. A fight breaks out, Molly is dead, Slater frames
Lark for murder, and there is hell to pay.
It is timely, then, that Lark leaves the battalion with
Sloames, the captain acting as a sort of personal guardian angel. They don’t get
far before the captain is struck down with an unspecified illness that
eventually robs him of his life. In a moment of sheer madness, Lark decides to
help himself to the dead captain’s uniform and, for that matter, everything
else about the deceased officer. In reality, Jack Lark died that night, and now
he is Sloames, from the gutter to the ranks of officers and to the officer’s
mess.
And so, to the front the charlatan Lark – masquerading as
Sloames; an offense for which the authorities would hang a man for in the
British Army of the time – goes, and through the early confusion of the
invasion. It appears that, some forty years after Waterloo, the modern British
army isn’t particularly well prepared, and their French allies move far inland
whilst the redcoats wait for valuable supplies that haven’t arrived.
Inevitably, Colour Sergeant Slater makes a return, joining
the Fusiliers in the Crimea after being ousted from his old regiment due to the
incident with Molly. He is assigned to Lark’s company, and threatens to uncover
the other man’s masquerade. Then, the Battle of Alma happens and the personal
vendetta must be settled amongst the brutal fighting with the Russians.
For a debut, Paul Fraser Collard has written a tight,
fast-paced and interesting ‘swords and muskets’ adventure that reminds me of
one of Bernard Cornwell’s Sharpe novels, which are some of my favourites.
Obviously, you must suspend much disbelief to carry on, for the idea of Lark
stealing another man’s identity, and successfully running a company seems
rather far-fetched – you imagine officers would realise, sooner or later, Lark’s
real pedigree, and they may still in coming novels – but the story skips along
nicely, opening up many avenues for further adventures.
In the manner of Cornwell, Fraser Collard brings the battle
to life with descriptions that’ll make you feel like you’re there, struggling
with the redcoats against the well-positioned Russian forces. It’s bloody,
brutal and very real. It’s the last few chapters that detail the bulk of the
fighting where Fraser Collard really hits his straps, and there’s an open-ended
conclusion after the British snatch a victory from the jaws of defeat, and some
more Jack Lark adventures to come.
If you’re looking for something in the same vein as Richard
Sharpe, then you can’t go wrong with Jack Lark! Can’t wait to read more!
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