Friday, October 30, 2015

Concert Review: Fleetwood Mac (24 October 2015; Allphones Arena, Sydney)



Frankly, it’s beyond amazing that the original Rumours-era Fleetwood Mac line-up – Mick Fleetwood, John McVie, Stevie Nicks, Lindsay Buckingham and, returning after nearly two decades away, Christine McVie – are on each other’s Christmas card list and can stand to be in the same room as each other, let alone 100-odd shows deep into a World Tour that has sold out arenas everywhere it’s stopped, and produced rave reviews.

So, we should be thankful – and we are – that the Mac, as Mick Fleetwood told us all on Saturday night, is back with it’s original members. Not that they weren’t good when I saw them six years ago, but everything is more authentic with McVie back in the band, and, of course, that opens up the song choices.

Some of Fleetwood Mac’s most memorable and recognisable songs were sung by Christine McVie and in past tours, they’ve either been discarded from the set list or, as has been the case with ‘Don’t Stop’, sung by Stevie Nicks instead. Which wasn't quite the same. Now, it’s as authentic as it gets, and songs like ‘Songbird’ and ‘You Make Loving Fun’ are a big part of what is a mostly hit-filled set list, with a few obscure numbers – ‘Bleed to Love Her’ from The Dance, a song that the band loves, they told us – thrown in for good measure. Just because they can.

Fleetwood Mac have so many good songs. More than they can fit into a set list for a show that runs nearly three hours. ‘Seven Wonders’ and ‘Monday Morning’ are two of my favourites that were both missing. But you can hardly expect the band to include every single one of their hits. I mean, we’d be there six or seven hours if that were to be the case, because there are stacks of them.

Really, there was little to complain about, and plenty to like about a show that had large sections of the audience standing throughout. The vibe in the room was superb. The audience was made up of many and varied generations. I saw people younger than me singing along to every word, and, of course, people much older doing the same. For those folks, seeing the Mac back must be like jumping in a time machine and heading back to the heady days of the 1970s.

The band are in fine form – which is an impressive feat, considering how long they’ve been around, both over time and on this particular exhaustive global trek – both vocally and in terms of musicianship. Despite their considerable history, the band looks a cohesive unit, and you can clearly tell that they’re having a great time on stage together. That hasn’t always been the case with Fleetwood Mac, who’s complicated personal history threatened to derail a brilliant group at various stages.

Stevie Nicks is mysterious as she glides across the stage, reminding us why we paid as much as we did for a ticket – because her voice is sensational. Hearing her sing ‘Gypsy’, perhaps my favourite Fleetwood Mac song, was worth the price of admission alone.

Lindsay Buckingham, who’s style of guitar playing is more akin to someone picking a banjo, dominates the room (and earns rapturous rounds of applause) every time he hammers out an epic solo – hint: it happened early and often – and really deserves more kudos for being a killer player. His work is, at times, jaw dropping. It must be such an incredible rush to play and have twenty thousand people feting you like a god. Or, at least, a guitar hero, and he’s certainly one of those.

The returning Christine McVie was clearly happy to be back, despite the band being 100-odd shows into a massive tour. She remains behind her keyboards for the most part, making brief forays out towards centre stage and her vocals are on point. Her return to the fold really brings the band full circle.

The engine room of Fleetwood Mac is, of course, Mick Fleetwood, as eccentric a drummer as there is – and as talented a drummer as there is, too. Watching his facial expressions as he throws his sticks at the large kit spreading around him on three sides is priceless. His solo is entertaining, though I would’ve preferred one or two more songs instead. A minor complaint.

Far less flamboyant is the quiet man of the band, the legendary bassist John McVie, a seemingly understated guy – as far as rock stars go, anyway! – and definitely the backbone of the band. He barely says a word, and it’s kinda strange to hear Christine McVie refer to John as her “ex-husband,” multiple times throughout. I daresay they’re on better terms than most exes.

It should be mentioned that fleshing out the five-piece Fleetwood Mac are a number of backing singers and two guitarists/backing vocalists who are visible on stage. I’m fairly certain there was a percussionist hiding somewhere behind Mick Fleetwood, too. But that mysterious figure wasn't announced when the rest of the supporting cast were. No matter, they all do their job well.

So, yes, the Mac are most definitely back, in good form, and here’s hoping that we see them return to our distant shores at least once more before they call it quits.

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